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                <text>The Honorables Nelson and Roe: Oley Nelson and Ole O. Roe, Norwegian Politcians of Story County, Iowa, 2024</text>
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                <text>NAHA 2024/030</text>
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                <text>2024</text>
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                <text>Twedt, Arlen</text>
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                <text>Norwegian immigrants began settling in central Iowa in 1855, and by 1870, the region was the third most popular settlement area for Norwegians in Iowa. Central Iowa's most prominent Norwegian politicians of the late 19th and early 20th centuries were The Honorable Oley Nelson from Slater and The Honorable Ole O. Roe from Story City. Nelson served as Story County's representative in the Iowa Legislature 1886–1889, ran as a candidate for the Iowa Senate in 1899, and was elected sergeant-at-arms in the Iowa House of Representatives 1923–1937. Roe was Story County's Superintendent of Schools 1882–1891, Deputy Auditor of Iowa 1893–1899, Chief Clerk of Iowa's insurance department 1902–1908, and Iowa's first state fire marshal 1911–1919.</text>
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                <text>1 folder</text>
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                <text>English</text>
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                <text>Roe, Ole O.</text>
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                <text>Nelson, Oley</text>
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                <text>Story County (Iowa)</text>
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            <name>Access Rights</name>
            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
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                <text>This collection is open for research.</text>
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                    <text>&lt;p&gt;&lt;b&gt;Collection Name: &lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;David C. Mauk papers, 1912-2004&lt;/span&gt;&lt;/p&gt;
&lt;br /&gt;
&lt;p&gt;&lt;b&gt;Collection Number: &lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;NAHA 2024/018&lt;/span&gt;&lt;/p&gt;
&lt;br /&gt;
&lt;p&gt;&lt;b&gt;Extent:&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;4.0 cubic feet (2 record center cartons, 2 archives boxes, and 1 half archives box)&lt;/span&gt;&lt;b&gt;&lt;span&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-weight:400;"&gt;209 oral history recordings (unprocessed)&lt;/span&gt;&lt;b&gt;&lt;span&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span&gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;
&lt;br /&gt;
&lt;p&gt;&lt;b&gt;Biography/History: &lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;David Mauk is a professor emeritus of North American Area Studies at the University of Oslo. He is the author of numerous publications in the field of U.S. immigration and ethnic history, including “The Colony that Rose from the Sea: Norwegian Maritime Migration and Community in Brooklyn.” &lt;/span&gt;&lt;/p&gt;
&lt;br /&gt;
&lt;p&gt;&lt;b&gt;Scope and Content: &lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;Materials in this collection pertain to Mauk’s research for his publication “Heart of the Heartland: Norwegian American Community in the Twin Cities.” This book is an in-depth study of the Norwegian-American community of Minneapolis–St. Paul and its complex role in the economic, political, and cultural life of the Twin Cities over more than 170 years. The project started in 1995 when NAHA Editor Odd S. Lovoll approached Mauk to write the history of Norwegians in St. Paul and Minneapolis. Prior to Mauk’s work, no exhaustive research or history has been written about the Norwegian-American community in the Twin Cities. Scholars had documented the history of Norwegian Americans in other large cities, such as Chicago and Brooklyn, but no one had tackled the Twin Cities — the unofficial “capital” of Norwegian America. While many previous studies had focused on rural life, Lovoll and Mauk thought it was important to devote increased attention to urban communities. &lt;/span&gt;&lt;/p&gt;
&lt;br /&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;While researching for the project, Mauk and his assistants, Mikkelssen and Løvås, collected 162 oral history interviews. Many of the interviews have been digitized through funding from the Sons of Norway Foundation. The David C. Mauk papers include transcripts of the interviews, clippings, scrapbooks, photographs, and more from his research. &lt;/span&gt;&lt;/p&gt;
&lt;br /&gt;
&lt;p&gt;&lt;b&gt;Access Rights:&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;This collection is open to research. Oral histories can only be accessed on-site. Please contact the archivist for more information. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Bibliographic Citation:&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;[Indicate the cited item here]. David C. Mauk Papers. Norwegian American Historical Association, Northfield, Minnesota.&lt;/span&gt;&lt;/p&gt;
&lt;br /&gt;
&lt;p&gt;&lt;b&gt;Processing Information:&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;Finding aid by Grace Peterson, 2026. &lt;/span&gt;&lt;/p&gt;
&lt;br /&gt;
&lt;p&gt;&lt;b&gt;Box&lt;/b&gt;&lt;b&gt;&lt;span&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;Folder&lt;/b&gt;&lt;b&gt;&lt;span&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;Description &lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with ROGER MOE, 1998-1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with TOM &amp;amp; RUTH MOEN, 2001&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with WALTER MONDALE, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;4&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with WILLARD MUNGER, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;5&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with GRACIA GRINDAL, 1999-2000&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;6&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with NELLIE STONE JOHNSON, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;7&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Family Histories KRISTA SANDRA &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;8&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with KRISTA JOHSON, 1998&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;9&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with IONE KADDEN, 1998&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;10&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with DOLORES KING, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;11&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with MERLIN KVAAL, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;12&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with GEORGE LATIMER, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;13&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with JOANEL DYRSTED, 1998&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;14&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with LLOYD HUSTVEDT, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;15&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Correspondence with LLOYD HUSTVEDT, 2000&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;16&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Correspondence &amp;amp; obit of LLOYD HUSTVEDT, 2004&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;17&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with  LARRY &amp;amp; LOIS HAUGE, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;18&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Clippings from AASE LEWIK tailoring, 1977&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;19&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with LIV DAHL, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;20&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Clipping from NINA DRAXTEN, 1998&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;21&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of oral history for Archives of Cooperative Lutheranism,&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt; &lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Lutheran Council in the USA , PHIL DYBVIG interviewed by WILLIAM&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt; &lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;RUSCH, 1977&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;22&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with BILL BECKSTRAND, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;23&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Magazine, KJELL BERGH&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;24&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Clipping from SAM BERGAAS&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;25&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Correspondence with HARRY CLEVEN, 1998&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;26&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with CARL CHRISLOCK, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;27&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with MARILYN CHIAT, 1998-1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;28&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with TERRY BRANSTAD, 1996&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;29&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with KJELL BERG, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;30&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with RUTH CRANE, 1998&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;31&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Family histories GRACIA GRINDAL&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;32&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with JOHN and JEANETTE FUTCHER, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;33&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of ALC interview with L.O. GJERDE, 1980-1987&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;34&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Dano-Norwegian Hymnody GRACIA GRINDAL &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;35&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Poetry GRACIA GRINDAL&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;36&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with FABER FAMILY, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;37&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with FABER FAMILY, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;38&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with MARY &amp;amp; EVELYN FLATEN, 1998&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;39&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with LUTHER &amp;amp; EILEEN FORDE, 1998&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;40&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with ORVILLE FREEMAN, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;41&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with KRISTA SANDE JOHNSON, 1998&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;42&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Correspondence with CHUCK HAGA, 1999-2000&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;43&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with BJARNE &amp;amp; ELSE GRINDEM, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with PAUL DANIELS, 1998-1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with PETE GRØNLIE, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Newspaper and arts of PETER GRONLIE, 1998-2000&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;4&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Clippings and yearbook for LARSEN FAMILY &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;5&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Clippings and histories of LARSEN FAMILY &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;6&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Written interview of RAY OLSEN, 2001&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;7&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Correspondence with NINA ANGELSEN&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;8&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Turf roof newspaper clipping JIM NESTINGEN, 2000&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;9&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;News clipping WARREN SORTEBERG, 2000&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;10&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with RUTH &amp;amp; ALICE OLSEN FAMILY, 2000&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;11&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with HAROLD MICHAEL SVENDAHL, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;12&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with ELLA RØLVAAG TWEET &amp;amp; SOLVEIG&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt; &lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;ZEMPEL, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;13&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with VIRGINIA &amp;amp; DANIEL TORBERG, 1998&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;14&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with DON TORGERSEN, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;15&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with ALLAN R. WOOLWORTH, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;16&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with CAROLE KWAN WOO, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;17&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Family histories OFSTIE &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;18&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;History of Bryn Mawr&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;19&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with RIG WELSCHINGER, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;20&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of ALC interview with INGRID WALTER, 1982 &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;21&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Norway art MARY-JO THORSHEIM &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;22&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with MARILYN SORENSEN, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;23&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of ALC interview with F.A. SCHLOTZ, 1983&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;24&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with DENNIS SORHEIM, 1998&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;25&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Family history of M. STENSHOEL &amp;amp; A.J. ROCKNE&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;26&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Collection of writings from SUSIE STAGEBERG &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;27&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Family histories of CAROLINE NELSON STORLIE&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;28&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Family history videos: Coming Home &amp;amp; Bequeathal, OSCAR SOLBERG&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;29&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Correspondence &amp;amp; transcript of interview with GORDON NELSON,&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;1999-2000&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;30&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with ARTHUR NAFTALIN, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;31&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with REV. KEITH OLSTAD, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;32&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with AL &amp;amp; MARY AUSTINSON, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;33&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Unpublished “Norwegians- Twin Cities” CARLTON QUALEY, 1973-1981&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;34&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;History of World War 2 JENS ANKER&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;35&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of ALC interview with ALBERT E. ANDERSON, 1987&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;36&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with ART NAFTALIN, 1999 &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;37&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Norwegian American celebration materials of IONE KADDEN, 1976-1996&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;38&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Norwegian American celebration photos of IONE KADDEN, 1944-1998&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;39&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Family photographs of LORRAINE OFSTIE, c.1890-1946&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;40&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;The Twin Cities Project forms &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;41&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;NACD Chronicles MRS. BRACK &amp;amp; MRS. D. BENSON&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;42 &lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;NACD JOHANNE MICKMAN &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;43&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with GEO &amp;amp; RUTH ORVICK, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;44&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with MARY ANN OLSEN, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;45&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with RAY OLSON, 1999&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Dinkytown photographs of ALICE OLSEN &amp;amp; RUTH PEIPER, 1999 &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;May 17 photographs, 2000 &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Lutheran church photographs, undated&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;4&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Minneapolis Luther Seminary Stave Church &amp;amp; Old Muskego Church&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt; &lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;photographs, 2000&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;5&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Ingebretsen’s store exterior, undated&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;6&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;“Pie Group” photographs, 2000&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;7&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Wood carving photographs, undated &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;8&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Carving events &amp;amp; related papers for RICHARD “DICK” ENSTAD &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;9&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Tullingbyernes Norske Saga column by Carl G. O. Hansen, 1935-1936&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;10&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Photographs of Luther Seminary from family of EUNICE BAKER, 2000&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;11&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;17 of May photographs by LIV DAHL, 1980-1995&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;12&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Daughters of Norway Drill Team &amp;amp; Sangerfest in Salt Lake City, UT, 1962&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;13&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Daughters of Norway Drill Team &amp;amp; Drill-Bog photographs, CAROL&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;SYRSTAD, 1905-1984&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;4&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Photographs from LORRAINE OFSTIE &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;4&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Photograph copies and negatives, 1920s-2000&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Contains an itemized list of photographs inside the folder. Many&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt; &lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;photographs from Jacob Stefferud’s daughters Alice and Ruth. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;4&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;3&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Photographs from Effects of CAROLYN NELSON STORLIE &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;4&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;4&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Photographs from HELEN PEDERSON, 1920s&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;4&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;5&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with HELEN PEDERSON, 2000&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;4&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;6&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with DAVID SANDERS, 2001&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;4&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;7&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with HARRIET LUCILLE BROIN, 2001&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;4&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;8&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with EUNICE BAKER, 2000&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;4&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;9&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Transcript of interview with HILDA KRINGSTAD, 2001&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;5&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Newspaper collection of PAUL A. BOE, 1973-1974&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;5&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Photographs of Norwegian Glee Club JORUN WOLD, 1968-1976&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;5&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;3 &lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;North High School Class of 1950 reunion booklet, 1960&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;6&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;1&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Den Norske Gleeklub’s Historie, H. W. PETERSEN, 1912 &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;6&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;2&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight:400;"&gt;Glee Club scrapbook&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;Very fragile. &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;b&gt;Biography/History: &lt;br /&gt;&lt;/b&gt;&lt;span style="font-weight:400;"&gt;David Mauk is a professor emeritus of North American Area Studies at the University of Oslo. He is the author of numerous publications in the field of U.S. immigration and ethnic history, including “The Colony that Rose from the Sea: Norwegian Maritime Migration and Community in Brooklyn.” &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Scope and Content: &lt;br /&gt;&lt;/b&gt;&lt;span style="font-weight:400;"&gt;Materials in this collection pertain to Mauk’s research for his publication “Heart of the Heartland: Norwegian American Community in the Twin Cities.” This book is an in-depth study of the Norwegian-American community of Minneapolis–St. Paul and its complex role in the economic, political, and cultural life of the Twin Cities over more than 170 years. The project started in 1995 when NAHA Editor Odd S. Lovoll approached Mauk to write the history of Norwegians in St. Paul and Minneapolis. Prior to Mauk’s work, no exhaustive research or history has been written about the Norwegian-American community in the Twin Cities. Scholars had documented the history of Norwegian Americans in other large cities, such as Chicago and Brooklyn, but no one had tackled the Twin Cities — the unofficial “capital” of Norwegian America. While many previous studies had focused on rural life, Lovoll and Mauk thought it was important to devote increased attention to urban communities. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight:400;"&gt;While researching for the project, Mauk and his assistants, Mikkelssen and Løvås, collected 162 oral history interviews. Many of the interviews have been digitized through funding from the Sons of Norway Foundation. The David C. Mauk papers include transcripts of the interviews, clippings, scrapbooks, photographs, and more from his research. &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;b&gt;Processing Information:&lt;br /&gt;&lt;/b&gt;&lt;span style="font-weight:400;"&gt;Finding aid by Grace Peterson, 2026. &lt;/span&gt;&lt;/p&gt;</text>
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                <text>This collection is open to research. Oral histories can only be accessed on-site. Please contact the archivist for more information. </text>
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                <text>[Indicate the cited item here]. David C. Mauk Papers. Norwegian American Historical Association, Northfield, Minnesota.</text>
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